An acclaimed philosopher suggests that the art of living well employs the same principles as those that exist in all artistic creativity.This final book in Irving Singer's Meaning in Life trilogy studies the interaction between nature and the values that define human spirituality. It examines the ways in which we overcome the suffering in life by resolving our sense of being divided between the…
An acclaimed philosopher offers a systematic mapping of the various facets of love.In his widely acclaimed trilogy The Nature of Love, Irving Singer traced the development of the concept of love in history and literature from the Greeks to the twentieth century. In this second volume of his Meaning in Life trilogy, Singer returns to the subject of his earlier work, exploring a different approac…
Mythic themes and philosophical probing in film as an art form, as seen in works of Preston Sturges, Jean Cocteau, Stanley Kubrick, and various other filmmakers. Film is the supreme medium for mythmaking. The gods and heroes of mythology are both larger than life and deeply human; they teach us about the world, and they tell us a good story. Similarly, our experience of film is both distant and…
Philosophical reflections on creativity in science, humanities, and human experience as a whole.In this philosophical exploration of creativity, Irving Singer describes the many different types of creativity and their varied manifestations within and across all the arts and sciences. Singer's approach is pluralistic rather than abstract or dogmatic. His reflections amplify recent discoveries in…
Originally published: Chicago : University of Chicago Press, 1994-1987.Print version cataloged as a monographic set by Library of Congress.This first volume of the author's trilogy 'The Nature of Love' begins by studying love as appraisal and bestowal as well as imagination and idealization, and then examines the contrasting views of Plato, Aristotle, Plotinus, Ovid, Lucretius, Saint Augustine,…
Originally published: Chicago : University of Chicago Press, 1994-1987.Print version cataloged as a monographic set by Library of Congress.This second volume of the author's trilogy 'The Nature of Love' studies the ideas and ideals of medieval courtly love and nineteenth-century Romantic love, as well as the transition between these two perspectives. The author analyzes the transition from cour…
Originally published: Chicago : University of Chicago Press, 1994-1987.Print version cataloged as a monographic set by Library of Congress.This third volume of the author's trilogy 'The Nature of Love' examines the pervasive dialectic between optimistic idealism and pessimistic realism in modern thinking about the nature of love. The author offers detailed studies of Freud, Proust, Shaw, D.H. L…
The development of themes, motifs, and techniques in Bergman's films, from the first intimations in the early work to the consummate resolutions in the final movies.OCLC-licensed vendor bibliographic record.
Mythic themes and philosophical probing in film as an art form, as seen in works of Preston Sturges, Jean Cocteau, Stanley Kubrick, and various other filmmakers. Film is the supreme medium for mythmaking. The gods and heroes of mythology are both larger than life and deeply human; they teach us about the world, and they tell us a good story. Similarly, our experience of film is both distant and…