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Image of Branding Books Across the Ages : Strategies and Key Concepts in Literary Branding
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Branding Books Across the Ages : Strategies and Key Concepts in Literary Branding

BRABER, Helleke van den - Personal Name;

As marketing specialists know all too well, our experience of products is prefigured by brands: trademarks that identify a product and differentiate it from its competitors. This process of branding has hitherto gained little academic discussion in the field of literary studies. Literary authors and the texts they produce, though, are constantly 'branded': from the early modern period onwards, they have been both the object and the initiator of a complex marketing process. This book analyzes this branding process throughout the centuries, focusing on the case of the Netherlands. To what extent is our experience of Dutch literature prefigured by brands, and what role does branding play when introducing European authors in the Dutch literary field (or vice versa)? By answering these questions, the volume seeks to show how literary scholars can account for the phenomenon of branding.


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Detail Information
Series Title
-
Call Number
650
Publisher
: ., 2021
Collation
-
Language
English
ISBN/ISSN
9789048544400
Classification
650
Content Type
-
Media Type
computer
Carrier Type
online resource
Edition
-
Subject(s)
Business & Economics
Specific Detail Info
-
Statement of Responsibility
Helleke van den Braber et.al
Other Information
Cataloger
rat
Source
https://openresearchlibrary.org/content/b85190cc-2bbc-4479-b684-0808ff5f3b93
Other version/related

No other version available

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  • Branding Books Across the Ages Strategies and Key Concepts in Literary Branding
    As marketing specialists know all too well, our experience of products is prefigured by brands: trademarks that identify a product and differentiate it from its competitors. This process of branding has hitherto gained little academic discussion in the field of literary studies. Literary authors and the texts they produce, though, are constantly 'branded': from the early modern period onwards, they have been both the object and the initiator of a complex marketing process. This book analyzes this branding process throughout the centuries, focusing on the case of the Netherlands. To what extent is our experience of Dutch literature prefigured by brands, and what role does branding play when introducing European authors in the Dutch literary field (or vice versa)? By answering these questions, the volume seeks to show how literary scholars can account for the phenomenon of branding.
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